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Nathan Fielder’s Elizabeth Holmes Documentary ‘You Can See Everything’ Opens With a 100% Rotten Tomatoes Score

Nathan Fielder’s Elizabeth Holmes Documentary ‘You Can See Everything’ Opens With a 100% Rotten Tomatoes Score

The 174-minute A24 film, co-directed by Fielder and Lance Oppenheim, follows Holmes and partner Billy Evans before she reported to prison. Critics are near unanimous, with a 100% Rotten Tomatoes score and a Metacritic score in the high 90s.

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Key Points

  • "You Can See Everything," a documentary about Elizabeth Holmes, opened in U.S. theaters Friday, October 16.
  • Nathan Fielder and Lance Oppenheim co-directed the 174-minute A24 film.
  • It follows Holmes and partner Billy Evans before she began an 11-year prison sentence.
  • It has a 100% Rotten Tomatoes score and a Metacritic score in the high 90s.
  • Critics say the second half has twists best left unspoiled.
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Nathan Fielder, the comedian behind “Nathan for You” and “The Rehearsal,” spent weeks with Elizabeth Holmes before she reported to prison. The result, “You Can See Everything,” opened in U.S. theaters Friday, and critics are calling it one of the best films of the year. It has a 100% score on Rotten Tomatoes and a Metacritic score in the high 90s, Gold Derby reported.

The A24 documentary, co-directed with Lance Oppenheim, runs 174 minutes and is rated R. It follows the Theranos founder and her partner, Billy Evans, in 2023, as Holmes prepared to begin an 11-year federal prison sentence for defrauding investors.

Theranos founder Elizabeth Holmes speaking at a tech conference
Elizabeth Holmes during her Theranos years. Photo: Max Morse for TechCrunch via Wikimedia Commons, CC BY 2.0.

What is ‘You Can See Everything’ about?

On the surface, it’s two professionals of the con sizing each other up. Fielder builds elaborate fake realities for his shows; Holmes built a fake blood-testing revolution worth billions. “You’re being real right now?” Fielder asks her at one point. “I’m always being real,” she answers, smiling, the Los Angeles Times’ Amy Nicholson wrote, calling the film “the King Kong vs. Godzilla of con artists.”

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Critics say the second half takes turns that are best left unspoiled. Without giving much away: Evans, who invited the cameras in, becomes a major character, and actress Amanda Seyfried, who played Holmes in “The Dropout,” reads transcripts of Holmes’ words on camera. Variety’s Owen Gleiberman wrote that Evans comes off as “repugnant in his cockiness” but that the film “never mounts an apologia for Elizabeth Holmes,” Variety reported.

A24: You Can See Everything, official trailer.
Nathan Fielder
Nathan Fielder co-directed the film with Lance Oppenheim. Photo: Northwest via Wikimedia Commons, CC BY-SA 4.0.

What are critics saying about the Elizabeth Holmes documentary?

It’s close to unanimous praise. The Guardian’s Adrian Horton called it “a stupefying and gloriously destabilizing hall of psychological mirrors,” The Guardian reported, after its New York Film Festival premiere, which she described as the fall’s hottest ticket. Vulture’s Alison Willmore wrote, “Nathan Fielder has made the movie of the year.” It first played as an unannounced “mystery” screening at the Telluride Film Festival.

Where was Elizabeth Holmes when the film was made?

About to go to prison. Holmes was convicted in 2022 of defrauding Theranos investors with claims that the company’s machines could run hundreds of tests from a few drops of blood. She reported to federal prison in Texas in 2023. The film was shot in and around the home she shared with Evans before she left.

The BeezLoop Take

There’s an obvious worry with a film like this: that giving a convicted fraudster three hours of screen time turns her into a sympathetic star. By the critics’ accounts, Fielder avoided that trap by making the movie about how hard it is to know when anyone is telling the truth, including the people making the documentary.

Holmes cost investors hundreds of millions and patients got bad test results. That’s worth keeping in mind amid the raves. A brilliant film about her isn’t the same as a redemption story, and the best reviews say this one doesn’t pretend to be.

The open question: after “The Dropout,” books, podcasts and now this, is there anything left the public doesn’t know about Elizabeth Holmes?

Also on BeezLoop: another new documentary, “Kill. Bury. Print.,” on a small-town paper and its sheriff.

Sources: Gold Derby · Variety · The Guardian · Los Angeles Times · A24 (trailer)

How We Sourced This

Written by Kevin Nordi

Kevin Nordi is a freelance writer with five years of experience covering politics, sports, and the everyday moments that shape people's lives. He holds a Bachelor of Science in Multimedia…

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BeezLoop News is an independent online news, discussion, opinion, and blog publication. Our articles combine reporting with editorial commentary and analysis. See our editorial standards for how we handle sourcing and corrections.

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